Stellar Om Source + Daniel Higgs + Mark McGuire @ The Cool Ranch

Sunday January 31st @ 6pm:

Christelle Gualdi is Stellar Om Source, a synthethizer driven experimental band on the Agitated Atmosphere label.
Daniel Higgs is mostly known for his leading role in the near-legendary band Lungfish. Higgs has been performing with a banjo in his solo stints as he will on this Sunday night.
Mark McGuire is the guitarist for the ubiquitous cleveland outfit known as the Emeralds.
Cloud Nothings will open the night with a Lo-Fi Garage set.

The Cool Ranch is a 'choad' free DIY space on the eastside, Sam would like to keep it that way and is not publicly announcing the locale. If you are interested in attending this show, send a message here and we'll send you the address of the Cool Ranch if you clear our douche-detectors.

Roky Erickson At The Beachland, March 6

The Cleveland Seen was the first media outlet [in the world] to announce that Roky Erickson of '13 Floor Elevators' fame will be playing the Beachland Ballroom [Beachland's 30th Anniversary Weekend} on Saturday March 6th 2010. We announced this back in October because of two very good resources [our confidential 24/7 tip line is: 216.367.2175], both turned out to be 100% correct despite being without knowledge of the specific date.

Though not confirmed, Roky Erickson is expected to be performing with 'Okkervil River' as the backup band on this March night when they will be performing music from 'True Love Cast Out All Evil' that's due out on 'Anti' Records on April 20th and will be Erickson first album in 14 years.

Founding Fathers, Beaten Awake & Friendly Foes @ Cranky's

Fear Of A Black Planet II

This Moment In Black History, San Goodee, November Hotel, LeRoi Da Moor, Vigatron at Now That's Class [11213 Detroit Ave. CleveOH] this Friday January 22, 2010. This show is being presented by ClevelandTapes.
You heard us speak volumes of ClevelandTapes, TMIBH [Public Square], LeRoi Da Moor & San Goodee, before any other Cleveland publication! Check them out live @ NTC and you won't be disappointed!


Video flyer by CK1.

Vic Chesnutt Final Show In Cleveland

I was fortunate enough to make it out to the Beachland Ballroom on June 27, 2009 to see Vic Chesnutt open up for Jonathan Richman. Little did I know that this would be the final time I would see Chesnutt.
Vic Chesnutt passed away on Christmas day after taking an overdose of muscle relaxers.

The last memory I have of Chesnutt is of him hanging out on the sidewalk outside the Beachland making small talk to anyone that would approach him.

Three weeks before his death Chesnutt gave an Interview with Terry Gross of NPR, below is a small part of that interview where Vic explains to Gross the thought process of "Flirted With You All My Life", a song off of his new album "At The Cut" that was recorded with Fugazi's Guy Picciotto and members of Thee Silver Mt. Zion.

GROSS: Vic, let's talk about the lyric. The song [Flirted With You All My Life] is about flirting with suicide, but from what I've read, you've done more than flirt with it. It's something you've tried.

Mr. CHESNUTT: Right. Well, this song is a love song. It's a suicide's breakup song with death. You know, I've attempted suicide three or four times. It didn't take. And this is really a breakup song with death. You know, it's talking about flirting with, you know, flirting - I had flirted with death my whole life, you know. Even as a young kid, I was sick and almost died a few times. And then suicide attempts - it's a kind of - you know, it's a breakup song.

--Lyrics from "Flirted With You All My Life"--
I am a man. I am self-aware, and everywhere I go, you're always right there with me. I've flirted with you all my life, even kissed you once or twice, and to this day, I swear it was nice, but clearly I was not ready.
When you touched a friend of mine, I thought I would lose my mind, but I found out with time that really, I was not ready, no, no, cold death, cold death, oh death, really, I'm not ready. [NPR.ORG]

THIS MOMENT IN BLACK HISTORY - PUBLIC SQUARE

RA Washington
There is something to be said for commitment, whether it be familial or theoretical - commitment seems to be the one detail missing from today's cultural landscape. Make no mistake, The Cleveland based punk band, THIS MOMENT IN BLACK HISTORY are committed. They are committed to the dialogue created in quartet-that space where it will be heavy, sacred - the future leaning back to grab the past. On their third full length, Public Square you can clearly see where this visionary "commitment" to a historical dialogue has taken their art.

Confused? its okay, that happens when you might have touch apathy "lens".
Forgive yourself and move on. Lets be clear here, you will not find a more emotionally charged record length statement than Public Square, the record starts in the tradition of forward jazz records - a sharp stab of keys, into Gospel tinged hum. You realize that it is time to pay attention, much like the World B. Free preamble on their last record, "It Takes A Nation of A**holes To Hold Us Back" - a call to arms has been made. You stand up, only to smack in the f-ing face with one of the sickest riffs recorded in the last fifteen years. Hyperbole? Perhaps, but you will be hard pressed to not agree. While the riff in the rock context often is meant to describe a guitar lick, this "RIFF" of Bim Thomas kick in immediate dialogue guitarist, Buddy Akita's dynamic stanza propels you right into vocalist Chris Kulcsar's compelling vocal. This a band of drummers in mind, simply because the rhythm created by the quartet is so Hank Shocklee.

And they know just how bad ass "FOREST WHITAKER (in an uncompromising role)" is for at the end of the song, you hear a distinct, and steady YEAH as they launch into a quintet "suite" (if you will) of some of the most compelling songs I have ever heard in a group context. Beginning with " THEOPHYLLINE VALENTIME" - the title a reference to Asthma- and ending with "90% TONE".

The second side continues to amaze, even as they break into a beatbox instrumental, complete with one of the most hilarious double entendre rhymes ever recorded. So tongue in cheek is that you begin to wonder after a couple of listens if he really is imploring the band to give his "NOTES" space. I think of this band in the context of sample artists like The Dust Brothers, or Madlib - conceptual in approach, but each side bringing their strong will to the proceedings. Not one member of THIS MOMENT seems to be giving ground. Its what makes them so masterful, and what makes you question what is wrong with a culture that is intent on turning its most brilliant artists into villain - for you know there are millions of people who believe what this band does. Your mind will not allow for you to let go of the fact that you and yours are being hidden from the masses, while the "big brother watching" give them shit dressed ala punk[e' ] , and piss bling[ed] as hip hop.

Recorded by Paul Maccarrone at the recently defunct - Zombie Proof Studios, and printed onto recycled colored vinyl, the music hits - i don't think they have ever been recorded better than this. Bim Thomas' drums sound as if they could swallow entire marching bands, and Lawrence Daniel Caswell's bass thump like a dozen 808s. Beat makers will be in heaven. I must say that it was Buddy Akita's playing on this particular record that i found awe inspiring.

Described by other reviewers/bloggers as blues and garage tinged - and while that holds weight - I found him to be playing both as an ensemble player, and a the exact same time floating over the entire record in an explosively subtle way. Much like Dolphy, in the context of Coltranes' now infamous quartet. It makes the title, PUBLIC SQUARE metaphor almost meta-textual in its satirical, but sincere homage to Cleveland, for while there must be communication from all sides to be a "square" the intent of any public space must be present. This where gather to give the news- here is where we rally for our own. Akita's guitar is this intent.

This Moment In Black History - Theophylline Valentime


TMIBH: Public Square is available on recycled color vinyl [w/download code], through their record label Smog Veil Records and locally at Music Saves.

Terry Durst: The Carter Excavations

If you ever had the chance to meet Terry, the first thing that comes to mind is how affable the man is, no matter if you're at the Beachland Ballroom or in the alley fixing a flat tire, Terry will always make the situation brighter.
A wild imagination is another trait of Terry Durst and that is apparent in his preparation for "The Carter Excavations" exhibition that is opening this Friday the 8th of January at Arts Collinwood [6-9pm.]
Arts Collinwood
15605 Waterloo Road
Cleveland, Ohio 44110
216.692.9500

Terry Durst summary of The Carter Excavations:
I cast myself as a fictional character, Zeke Carter, and dug up my family’s site in Alaska – this is where I found these pieces. The Carter Family – the original 3, Maybelle, Sara and Alvin – were excavated as well, in that the pieces are about how I feel when I hear them sing and play. Howard Carter discovered King Tut’s remains, and hopefully that piece of history exists throughout the work in a subliminal sense. I was thinking about Euclid Beach Park, my first experience at an amusement park when I was 5. truTV’s Forensic Files has been a major influence on this work.

Artist Statement:
I’ve made and observed art since my early teenage years, my biggest influence and obsession has been and continues to be Neil Young, and rock and roll in general. My favorite film in the entire world is David Lynch’s INLAND EMPIRE. (Yes, this title is in all caps.) This film has taught me how to work in my studio. I think it is Lynch’s masterwork. Dan Tranberg and I have been partners for 14 years. We have one dog, a young Basset Hound named Duke (after Ellington). My degree is from Kent State – split major, sculpture and film. I taught several subjects in the Art Department at Tri-C East for 5 years. At CIA, for 2 years, along with classes in the Painting Foundations program, I taught a class in David Lynch’s Twin Peaks TV series. I love students but find most Administrations crazy and evil, evil like the cult in Rosemary’s Baby. Currently I work at The Beachland Ballroom as a doorperson/bouncer, but will be bartending there very soon.

Tremont ArtWalk - January 2010 Edition

Asterisk Gallery - 2393 Professor Ave.
"1-2 Punch" A collaborative by Charles Wince and Paul Volker of Columbus Ohio.
The same Columbus that bills itself as "The Indie Art Capital Of The World"[?].

BIG SHOW in Cleveland Ohio. I'm looking forward to this one. The Cleveland Art crowd has some pretty jaded tastes and generally speaking, better bullshit detectors than most of the galleries in Columbus, but I'm confident my artwork still has enough firepower to draw some positive response. I've invited my old friend and massively talented artist Paul Volker to join in the merriment.
Cleveland's Tremont section has 2nd Friday of every month, group art openings with numerous galleries around the area taking part. Jan. 5th8th happens to be the night that this next alignment occurs. -Charles Wince [blog]

Brandt Gallery - 1028 Kenilworth Ave.
Eye Chatter - Paintings by Scott Pickering.

Lucky’s Cafe – 777 Starkweather Ave.
Paintings by Tim Herron.
Tim is a long time Tremont resident and proprietor of "The Manly Pad" gallery on Professor Avenue.

Mastroianni Photography and Arts - 2688 W. 14th Street.
"Photographic Proof: 1985-1990" Photography by Steven Mastroianni.

Goldhammer + Cleveland Magazine = FAIL

Aaron Goldhammer has been chosen as one of Cleveland's most eligible bachelors by Cleveland Magazine. This is the second award that the "Hammer" has won this week after being named Cleveland's most eligible douch-bag by the Cleveland Seen.